Portfolio cover
01
About Me

Concept, Strategy
& Experience

I am a student at Istituto Marangoni London, studying Fashion Business, Media and Digital Communication. My work sits at the intersection of creative direction, strategic thinking, and cultural entrepreneurship bridging the worlds of luxury fashion, experiential hospitality, and editorial media.

Background & Formation

Born and raised between Saudi Arabia and London, I bring a dual cultural perspective to every project. My academic background in Fashion Business, Media and Digital Communication is complemented by hands-on experience in creative direction, brand strategy, and event conceptualisation. Developed through university projects spanning luxury fashion houses, cultural tourism, and independent editorial publishing, as well as real world internships in PR, social media, and creative direction.

I am fluent in both the visual language of luxury and the analytical frameworks of business strategy. My approach is always concept first: I begin with a cultural insight, develop it into a coherent creative direction, and then build the commercial logic around it.

University

Istituto Marangoni London

Programme

Fashion Business, Media & Digital Communication

Focus

Creative Direction & Entrepreneurship

Location

London / Jeddah

Innovation approach
02 — Approach

My Approach
to Innovation

I approach innovation not as disruption for its own sake, but as the art of identifying what is missing — a gap in cultural representation, an unmet desire, an experience that has not yet been named. My methodology moves from observation to insight to concept, always grounded in a deep understanding of the audience and the market.

Culture First Thinking

Every project begins with a cultural observation. I ask: what does this community need that does not yet exist? This drives genuinely original concepts rather than derivative ones.

Concept Integrity

I develop ideas from a single, clear insight and build outward ensuring every element of a project (visual, strategic, experiential) serves the same core idea.

Commercial Awareness

Creativity without commercial viability is self indulgent. I always build the business case alongside the creative concept identifying target audiences, revenue models, and market positioning.

Entrepreneurial Execution

I am not just a thinker, I am a maker. From brand decks to event programmes to editorial layouts, I translate concepts into tangible, deployable work.

03
Selected Projects

Four Concepts.
One Vision.

Each project is an academic case study developed during my studies at Istituto Marangoni London representing a distinct creative and entrepreneurial challenge, from reimagining a luxury fashion house's digital strategy to designing a cultural event experience in the Saudi desert.

01
Editorial / PublishingUniversity Project

Tank
Magazine

The Challenge

Tank Magazine, one of London's most respected independent art and fashion publications faced the challenge common to all print media: how to remain culturally relevant and commercially viable in an era of digital saturation, without compromising the editorial integrity that defines its identity.

The Concept

For this university project, I developed a comprehensive creative and strategic concept for Tank Magazine including a new cover design direction, editorial moodboards, colour palette development, fashion direction, and a strategic positioning framework that identifies how the magazine can deepen its cultural relevance while developing new revenue streams through events, digital content, and brand partnerships.

Innovation & Entrepreneurial Value

The project demonstrates an understanding of the independent publishing market and the creative economy. By analysing Tank's unique position intellectually rigorous, visually adventurous, fiercely independent I developed a concept that preserves its editorial identity while proposing a viable commercial evolution through community, events, and digital extension.

Target Audience

Culturally engaged readers aged 22–40 in London, New York, and Paris. Art directors, fashion editors, and creative professionals who value independent publishing and resist mainstream media. Collectors of visual culture who treat magazines as objects as much as publications.

Tank Magazine concept
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Tank page 4
Tank page 5
Tank editorial
Tank moodboard
Tank brand
Bottega Veneta concept
Bottega page 0
Bottega page 1
Bottega page 2
Bottega page 3
Bottega summary
Bottega moodboard
Bottega strategy
02
Luxury Fashion / Brand StrategyUniversity Project

Bottega
Veneta

The Challenge

Bottega Veneta is one of luxury fashion's most intriguing paradoxes: a house that has deliberately avoided the logo-driven visibility of its peers, yet commands extraordinary brand loyalty and cultural cachet. The challenge was to develop a strategic and creative concept that honours this quiet luxury positioning while identifying new avenues for growth and cultural engagement.

The Concept

For this university project, I developed a comprehensive brand strategy and creative direction for Bottega Veneta analysing the house's unique positioning within the luxury market and proposing a strategic framework for deepening its cultural resonance. The project included a detailed competitive analysis, target customer profiling, moodboard development, and a creative concept for a campaign that communicates the brand's values of craft, discretion, and Italian heritage to a new generation of luxury consumers.

Entrepreneurial Value

The project demonstrates sophisticated market analysis and brand strategy thinking. By identifying the tension between Bottega's anti-logo philosophy and the growing demand for visible luxury signifiers, I developed a concept that resolves this tension through experience proposing immersive, intimate brand activations that create exclusivity through access rather than visibility.

Target Audience

Ultra-high-net-worth individuals aged 28–50 who have graduated beyond logo luxury. They value craft, provenance, and the cultural intelligence required to recognise quality without visible branding. Predominantly based in Milan, Paris, London, and the Gulf states.

03
Cultural Tourism / Event DesignUniversity Project

AlUla —
Rooh Al-Asr

The Challenge

AlUla — Saudi Arabia's ancient cultural destination is undergoing one of the world's most ambitious cultural tourism transformations. The challenge was to design an event concept that would attract a high value international audience while remaining authentically rooted in the region's heritage, and that could serve as a flagship cultural experience within AlUla's broader tourism strategy.

The Concept

Rooh Al-Asr (روح العصر — "Spirit of the Age") is a multi-day cultural event concept developed as a university project, set within AlUla's extraordinary landscape. The concept brings together fashion, music, art, and gastronomy in a series of immersive experiences that unfold across AlUla's ancient sites — from the rose-red rock formations of Hegra to the dramatic canyon of Dadan. The event is designed to be both a luxury destination experience and a platform for contemporary Arab creative culture.

Innovation & Entrepreneurial Value

Rooh Al-Asr is entrepreneurially significant because it identifies a genuine gap: there is no luxury cultural event in the Arab world that positions itself as a peer of Frieze, Art Basel, or Glastonbury. This concept fills that gap while serving Saudi Arabia's Vision 2030 cultural tourism objectives. The business model combines ticket revenue, brand partnerships, and cultural sponsorship to create a commercially viable and culturally significant enterprise.

Target Audience

Affluent cultural travellers aged 25–50 from the Gulf states, Europe, and the US. Fashion and art world insiders. Saudi nationals seeking world-class cultural experiences at home. International media and brand partners seeking authentic access to the Arab luxury market.

AlUla page 2
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AlUla Rooh Al-Asr concept
AlUla muse
AlUla programme
AlUla brand
AlUla location
04
Luxury Hospitality / Brand IdentityReal Venture

73 Walton
Street

The Venture

73 Walton Street is a real luxury glam suite launching in Chelsea, London — a multi-floor beauty and lifestyle destination that I am involved in as Managing Director. This project bridges my academic work with real entrepreneurial practice: developing the brand strategy, visual identity, spatial concept, and go-to-market strategy for a new category within the London beauty market.

The Concept

73 Walton Street is conceived as a luxury beauty destination that operates at the intersection of a private members' club and a world-class beauty suite. Located in the heart of Chelsea, the venue offers an intimate, appointment only experience across multiple floors ,each designed as a distinct environment that reflects the brand's commitment to discretion, craft, and elevated service. The brand identity was developed in collaboration with interior design firm FormRoom.

Entrepreneurial Value

73 Walton Street represents a genuine gap in the London market: there is no luxury beauty destination that combines the intimacy of a private members' club with world-class beauty services. The concept positions beauty as a lifestyle category rather than a service transaction creating a new tier of experience between a traditional salon and a luxury hotel spa.

Target Audience

High-net-worth women aged 25–55 based in Chelsea, Kensington, and Mayfair. International visitors staying in the area's luxury hotels. Fashion and media professionals who value discretion and quality. Clients who currently travel to Paris or New York for this level of beauty experience.

73 Walton Street concept
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Walton glam
Walton space
Walton customer
04
Strategic Thinking

Market Awareness
& Strategic Insight

Across all four projects, a consistent strategic intelligence emerges: the ability to identify market gaps, understand cultural context, and develop commercially viable concepts that serve both creative and business objectives.

“Beauty starts at the seventy third hour.”

Tank Magazine

The Independent Publishing Opportunity

The decline of mainstream print media has created a paradox: independent publications with strong editorial identities are more culturally valuable than ever. Tank Magazine's challenge is not survival but evolution — developing new revenue streams while protecting the editorial integrity that makes it irreplaceable.

Bottega Veneta

Quiet Luxury as Market Strategy

The growing backlash against conspicuous consumption has created a new luxury consumer who values knowledge and craft over visibility. Bottega Veneta's anti logo positioning is not a limitation but a competitive advantage one that can be deepened through experience led brand activations.

AlUla — Rooh Al-Asr

Cultural Tourism as Creative Economy

Saudi Arabia's Vision 2030 has created one of the world's most significant cultural investment opportunities. AlUla is not just a tourist destination — it is a platform for a new Arab creative economy. Rooh Al-Asr positions itself at the intersection of cultural tourism, luxury experience, and creative industry development.

Cross-project insight

The Arab Luxury Consumer

Multiple projects reflect a sophisticated understanding of the Arab luxury consumer, a segment that is growing rapidly, is underserved by existing luxury brands, and has distinct cultural values and aesthetic preferences that mainstream luxury houses are only beginning to understand.

73 Walton Street — Spatial Concept Renders & Moodboards

Spatial concept 1
Spatial concept 2
Spatial concept 3
Spatial concept 4
Moodboard 1
Moodboard 2
Moodboard 3
Moodboard 4
05 — Experience

Formation &
Experience

Education

BA Fashion Business, Media and Communication

Istituto Marangoni London

2023 – Present

UAL Level 3 Foundation Diploma in Art & Design

Mander Portman Woodward

2022 – 2023

High School Diploma / IB

Institut Le Rosey

2018 – 2022

Core Skills

Creative Direction

Brand Strategy

Adobe Photoshop

InDesign

Social Media (92k TikTok)

Concept Development

Moodboard & Visual Research

Market Analysis

Arabic / English

Graphic Design

Professional Experience

Managing Director

Part-time

73 Walton Street

Nov 2025 – Present

Developed brand strategy and visual identity for a luxury glam suite launching in Chelsea, London. Collaborated with interior design firm FormRoom to ensure brand vision was translated across the physical space and customer touchpoints. Led operational planning for a multi-floor luxury venue launch, coordinating across PR, talent, and commercial workstreams. Contributed to go-to-market strategy and launch timeline development.

PR, Social Media & Creative Direction

Internship

ELLE Arabia

Aug 2025 – Oct 2025

Assisted the PR and digital teams with social media content and online engagement. Helped with influencer outreach and media relation tasks. Helped identify potential collaborators and contributors for online articles. Supported the team with general creative and editorial support, including assisting on shoots, contributing creative ideas and preparing moodboards.

Founders Intern

Internship

Empera

Dec 2024 – Dec 2025

Assisted the founder in all administrative management tasks. Collaborated closely with the founding team to identify new marketing and growth opportunities. Conducted research and analysis to support key business decisions. Assisted with social media tasks by researching trends, brainstorming content ideas and engagement.

Showroom, PR & Marketing

Internship

We Are Village

Aug 2024 – Sep 2024

Assisted with showroom organisation and PR sample management. Assisted in event planning and influencer outreach. Supported PR campaigns by organising samples and coordinating deliveries. Assisted in administrative tasks such as updating media lists and tracking inventory.

Volunteering

Co-Leader Volunteer

Paint a Smile Foundation

Jan 2022

Co-led a group that collected vintage sweatshirts from school and sold them to raise funds and awareness for the Paint a Smile Foundation.

Future vision
06 — Vision

Future Vision
& Goals

My ambition is to build a career at the intersection of creative direction and cultural entrepreneurship, developing concepts, brands, and experiences that bridge the Arab world and the global luxury market. I am particularly drawn to the opportunity presented by the Arab cultural renaissance: the emergence of a new generation of Arab creatives, consumers, and cultural institutions that are redefining what luxury, culture, and identity mean in the 21st century.

Cultural Agency

To establish an independent creative and cultural consultancy that works with luxury brands, cultural institutions, and governments to develop concepts that are both commercially successful and culturally significant.

Arab Creative Platform

To develop a platform editorial, experiential, or both that amplifies Arab creative talent and positions it within the global luxury and cultural conversation.

Rooh Al-Asr: Realised

To develop the Rooh Al-Asr concept into a real event working with the Royal Commission for AlUla and international cultural partners to bring this vision to life.